1 100 4 http://art-collections.museum.ucsb.edu/files/original/896d53846a9b5e4c4f4a08aaa5f75234.jpg 31cec17b3159fc7278d88d060b975bd9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Arts of Asia Description An account of the resource The AD&A Museum houses a small collection of works from Asia including Japanese textiles and a Vietnamese portfolio created using traditional Vietnamese print making techniques. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1997.37.6 Title A name given to the resource Artist unknown, Japanese Creator An entity primarily responsible for making the resource Artist unknown, Japanese Japanese Description An account of the resource The Vladivostok Squadron almost lost by our fleet at the sea of Ulsan, c. 1904-05 Woodcut 15 1/2in. x 21 1/2in. Swiftly executed, prints such as these were distributed throughout the war giving a largely Japanese audience up-to-date information on the Russo-Japanese war (1904-05). Through a series of military engagements on land and sea, Japans much smaller army wrested control of an important Chinese trading harbor, Port Arthur, from Russia. Such imagery helped bolster support for the military and instilled national pride. Though made in Japan, the incorporation of English text (often mispelled) indicates some were meant for wider distribution. Source A related resource from which the described resource is derived Gift of Stanford Smith Date A point or period of time associated with an event in the lifecycle of the resource c. 1904-05 Japan military Painting print seascape ship War woodcut Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/eef94a98ce7760f05804d7e254c7376c.jpg b9108f8d080feeec794ff70335346de2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.285 Creator An entity primarily responsible for making the resource Artist unknown French Title A name given to the resource Artist unknown Description An account of the resource Post Card of Ship At Sea - Man Overboard black and white photograph 3 1/2" x 5 1/2" Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. black and white landscape Man Overboard Post card Sea ship Storm Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/4a759bf9a2188128103084a8041bf3e0.jpg 09d3941d308f9b34b5bbe2fa5bad275d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paintings Description An account of the resource In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2018.017.023 Creator An entity primarily responsible for making the resource BEDFORD, Whitney b. United States Title A name given to the resource BEDFORD, Whitney Description An account of the resource Untitled (Breakdown) 2006 Ink and oil on panel 22 x 26" Small ink and oil painting on panel of a ship navigating rocky waves. Source A related resource from which the described resource is derived Gift of Marc Selwyn Fine Art, Beverly Hills Date A point or period of time associated with an event in the lifecycle of the resource 2006 Blue Ink oil Painting seascape ship waves http://art-collections.museum.ucsb.edu/files/original/b4ce4eab9a111b6398a1fe5accfa4a43.jpg 01c42e35754831c873c3d97f0a4371e2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource American and European Prints and Drawings post 1900 Description An account of the resource In addition to the American and European works on paper (prints and drawings) created before 1900, the AD&A Museum includes a strong collection of post 20th century works. This includes but is not limited to Rudolph Schindler, Salvador Dali and Andy Warhol. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2023.008.007a-c Creator An entity primarily responsible for making the resource NOVROS, David b. United States, 1941 Title A name given to the resource NOVROS, David Study for the Boathouse series, ca. 1966-2003 Description An account of the resource Oil pastel and ink on board 9 1/4 x 26 1/4" FRAMED Study for the Boathouse series includes a set of preparatory drawings for a larger canvas entitled Boathouse which pays homage to a set of murals installed at a lakeside in Middleburgh, New York, no longer in existance. These large scale works were included as part of the artist's "portable" murals series and were not executed on solid surfaces as Novros desired a sense of mobility resulting in their reconfiguration from room to room or gallery to gallery. In this study, three geometic drawings, ranging in hue from dark to barely visible, are hinged and placed horizontally in a rectangular wood frame; (a) left; (b) center and (c) right. Subject The topic of the resource works on paper Date A point or period of time associated with an event in the lifecycle of the resource ca. 1966-2003 Source A related resource from which the described resource is derived Donald P. Walton Jr. and Frances Jean Colpitt Estate abstract ocean ship water works on paper