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                  <text>&lt;strong&gt;Paintings&lt;/strong&gt;</text>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                <text>2019.016.002</text>
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                <text>&lt;strong&gt;ITO&lt;/strong&gt;, Parker</text>
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                <text>b. United States, 1986</text>
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                <text>&lt;strong&gt;ITO&lt;/strong&gt;, Parker</text>
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                <text>&lt;em&gt;Inkjet painting #49&lt;/em&gt;</text>
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                <text>2013</text>
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                <text>Inkjet print on silk</text>
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                <text>64 x 44''</text>
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                <text>Inkjet painting of a gradation of colored dots printed on silk; the dots descend from bright blue and pink to deep green.</text>
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                <text>Courtesy of Marc Selwyn Fine Art, Beverly Hills</text>
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                <text>2013</text>
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                  <text>&lt;strong&gt;The Arts of the Middle East &lt;/strong&gt;</text>
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                  <text>The AD&amp;amp;A Museum houses a small but significant collection of Islamic materials given in large part by Grace H. Dreyfus in 1971. These works include glass and ceramic containers as well as folio pages from a large manuscript of the Qur’an dating to the 13th—14th centuries.</text>
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                <text>&lt;strong&gt;ISLAMIC&lt;/strong&gt;</text>
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                <text>&lt;em&gt;Textile&lt;/em&gt; (red and white flowers on gold background)</text>
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                <text>25" x 25"</text>
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                  <text>&lt;strong&gt;The Carolyn and Edwin Gledhill Photography Collection&lt;/strong&gt;</text>
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                  <text>&lt;p class="p1"&gt;&lt;span class="s1"&gt;In 1986, Keith Gledhill donated to the AD&amp;amp;A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.&lt;/span&gt;&lt;span class="s1"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="s2"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="s1"&gt;Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.&lt;/span&gt;&lt;span class="s1"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="s2"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="s1"&gt;Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;This often resulted in empowered appearing women suggesting an early expression of feminism.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.&lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s1"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="s2"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="s1"&gt;The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>1986.70</text>
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                <text>&lt;strong&gt;GLEDHILL&lt;/strong&gt;, Carolyn and Edwin</text>
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                <text>American, 1871 - 1935 and American, Toronto 1888 - 1976</text>
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                <text>&lt;strong&gt;GLEDHILL&lt;/strong&gt;, Carolyn and Edwin</text>
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                <text>&lt;em&gt;Theatrical Scene (old man), 1921&lt;/em&gt;</text>
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                <text>Gift of Mr. Keith Gledhill</text>
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                  <text>&lt;strong&gt;The Arts of Asia&lt;/strong&gt;</text>
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                  <text>The AD&amp;amp;A Museum houses a small collection of works from Asia including Japanese textiles and a Vietnamese portfolio created using traditional Vietnamese print making techniques.</text>
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                <text>&lt;strong&gt;Artist unknown, Japanese&lt;/strong&gt;</text>
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                <text>&lt;em&gt;Obi Fabric Sample&lt;/em&gt;, n.d.</text>
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                <text>hand-painted silk</text>
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                <text>sheet: 22 1/4 x 13 1/2 in.</text>
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                <text>Hand painted silk fabric sample in a floral and natural motif, probably made in Nishijin--Kyoto</text>
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                <text>Gift of Harold Chambers, Jr.</text>
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