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                  <text>&lt;strong&gt;The Barry Berkus Family Collection&lt;/strong&gt;</text>
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                  <text>The Barry Berkus Family Collection contributes to the strength of the Museum's holdings of twentieth century works on paper. Made in 2006, the Berkus gift provided the museum with twenty-one works on paper by artists working primarily in the United States in the 1980s and 1990s, including: Robert Motherwell, William Wegman, Robert Rauschenberg, and Carrie Mae Weems. Berkus, an architect who worked in Southern California, designed the UC Santa Barbara’s Mosher Alumni Building.</text>
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                <text>&lt;strong&gt;BECK&lt;/strong&gt;, Martin</text>
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                <text>&lt;strong&gt;BECK&lt;/strong&gt;, Martin</text>
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                <text>United States, b. 1963</text>
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                <text>&lt;em&gt;Untitled&lt;/em&gt;</text>
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                <text>Gift of Barry A. Berkus and Family</text>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                <text>&lt;strong&gt;HAYWARD&lt;/strong&gt;, James</text>
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                <text>&lt;strong&gt;HAYWARD&lt;/strong&gt;, James</text>
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                <text>&lt;em&gt;Automatic Painting Green #1&lt;/em&gt;</text>
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                <text>Throughout his career, James Hayward has explored the potential of abstraction through monochromatic painting. These tense and luminous early canvases, which seem to capture and hold light, later give way to textured, physical surfaces which resist illusion. Hayward works with spontaneity and deliberation, as he says, not a mindless intuition, but a fortified one.</text>
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                <text>Gift of Morgan Thomas</text>
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                  <text>The AD&amp;amp;A Museum houses a small collection of works from Asia including Japanese textiles and a Vietnamese portfolio created using traditional Vietnamese print making techniques.</text>
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            <name>Identifier</name>
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                <text>&lt;strong&gt;IIJIMA&lt;/strong&gt;, Takao (aka Ay-O)</text>
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                <text>&lt;em&gt;Rainbow Wall Paper A&lt;/em&gt;</text>
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                <text>Gift of Suzanne Sumerlin Duca</text>
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                <text>&lt;strong&gt;IIJIMA&lt;/strong&gt;, Takao (aka Ay-O)</text>
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                <text>&lt;strong&gt;IIJIMA&lt;/strong&gt;, Takao (aka Ay-O)</text>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                <text>&lt;em&gt;Unknown Title&lt;/em&gt;</text>
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                <text>2008</text>
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                <text>Paint on canvas on panel</text>
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                <text>9 x 12 x 1 3/4"</text>
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                <text>AN abstract painting with a mix of yellow, green and orange paint swirling around a grey and back square outline. Inside the square is a mix of greens, blues, and whites. The words "To Jorge" appear on the reverse. Signed and dated by artist on the reverse.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Estate of Frances Garvin and Keith Julius Puccinelli</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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        <name>Black</name>
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        <name>multi-colored</name>
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        <name>Painting</name>
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        <name>square</name>
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                  <text>&lt;strong&gt;Sculpture and Mixed Media&lt;/strong&gt;</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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            <name>Identifier</name>
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                <text>&lt;strong&gt;ZAMMITT&lt;/strong&gt;, Norman</text>
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                <text>b. Canada, 1931</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;ZAMMITT&lt;/strong&gt;, Norman</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;em&gt;Honeycomb&lt;/em&gt;</text>
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              <elementText elementTextId="65573">
                <text>ca. 1960-60</text>
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                <text>molded plastic</text>
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                <text>50 3/4 x 23 x 5"</text>
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                <text>Orange molded plastic square-like form ontop of a custom-made brass stand.</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of Judith T. and Milton R. Stark</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1960</text>
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        <name>Sculpture</name>
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        <name>square</name>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;p class="p1"&gt;&lt;span class="s1"&gt;In 2012, the AD&amp;amp;A Museum at UC Santa Barbara was gifted 8 Portfolios from &lt;b&gt;Exit Art&lt;/b&gt;.&lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s2"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="s1"&gt;Founded in 1982 by Jeanette Ingberman and  Papo Calo, &lt;b&gt;Exit Art&lt;/b&gt; was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;The first location, was on West Broadway, in SoHo.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, &lt;b&gt;Exit Art’s&lt;/b&gt; exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from &lt;i&gt;Newsweek&lt;/i&gt;. &lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s1"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;In the late 1990’s, &lt;b&gt;Exit Art&lt;/b&gt; began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. &lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s1"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA.&lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s1"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and &lt;b&gt;Exit Art&lt;/b&gt; was subsequently closed in 2012 due to concerns over loss of its conceptual oversight.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>&lt;strong&gt;EXIT ART&lt;/strong&gt;</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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                <text>SMITH, Allison</text>
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                <text>United States, b.1972</text>
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                <text>SMITH, Allison</text>
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            <description>An account of the resource</description>
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                <text>Expose: The Compass Rose</text>
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                <text>2008</text>
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                <text>13 color screen print on linen, 32/50</text>
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                <text>30 x 22" PAPER</text>
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                <text>Image includes thirteen varying colors creating a compass on a geometric framed linen background. Signature and edition at lower right.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of Exit Art, New York</text>
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        <name>Works-on-Paper</name>
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