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                  <text>In a serene setting alongside the Pacific Ocean, the AD&amp;amp;A Museum is uniquely positioned at the UC Santa Barbara to highlight a small number of stellar sculptures and wall installations on the grounds of the museum and campus. Please take a look at our small but growing collection.</text>
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                <text>&lt;em&gt;Mountain Pot&lt;/em&gt;</text>
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                <text>Large bulbous container in earthenware colors; created for outdoor use; part of the artist's Mountain Pot Series</text>
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                <text>Gift of Mrs. Alice Schott</text>
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                <text>Gift of Harold Chambers, Jr.</text>
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                <text>&lt;strong&gt;Artist unknown, Japanese&lt;/strong&gt;</text>
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                <text>&lt;em&gt;Obi Fabric Sample&lt;/em&gt;, n.d.</text>
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                <text>Gift of Harold Chambers, Jr.</text>
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                  <text>&lt;strong&gt;The Sigmund Morgenroth Collection of Renaissance Medals and Plaquettes&lt;/strong&gt;</text>
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                  <text>&lt;span&gt;Intricately carved reliefs cast in metal or carved in wood, the Morgenroth Collection of medals and plaquettes rivals major collections of similar materials in the National Gallery in Washington DC or the Metropolitan Museum of Art in New York. The medals commemorate important personages and events, an ancient custom which was revived during the Renaissance. Displayed at AD&amp;amp;A Museum in a &lt;/span&gt;&lt;em&gt;Wunderkammer&lt;/em&gt;&lt;span&gt; or “cabinet of curiosities,” the medals are viewed by visitors as Italian collectors in fifteenth and sixteenth centuries experienced them. The plaquettes, both round and rectangular in format, are just inches in size, featuring delicate bas-relief portraits and scenes of mythological and Christian subject matter. The Morgenroth collection is among the founding collections of the museum and belongs to the art historical heritage of Santa Barbara. These extraordinary medals and plaquettes, amassed by Mr. Morgenroth primarily between 1927 and 1939, received their inaugural exhibition at the Santa Barbara Museum of Art from January to March 1943.&lt;/span&gt;</text>
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                <text>&lt;em&gt;Seal of Siena&lt;/em&gt;</text>
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                <text>in style of the early 15th century</text>
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                  <text>&lt;strong&gt;The Carolyn and Edwin Gledhill Photography Collection&lt;/strong&gt;</text>
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                  <text>&lt;p class="p1"&gt;&lt;span class="s1"&gt;In 1986, Keith Gledhill donated to the AD&amp;amp;A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.&lt;/span&gt;&lt;span class="s1"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="s2"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="s1"&gt;Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.&lt;/span&gt;&lt;span class="s1"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="s2"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="s1"&gt;Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;This often resulted in empowered appearing women suggesting an early expression of feminism.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.&lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s1"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="s2"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="s1"&gt;The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;em&gt;Souvenir Book of Geneva&lt;/em&gt;</text>
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                <text>&lt;em&gt;Kavat Mask (Dance Mask)&lt;/em&gt;</text>
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                <text>Gift of Dr. and Mrs. Mario Del Chiaro</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;Baule, Ivory Coast&lt;/strong&gt;</text>
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            <name>Creator</name>
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            <description>An account of the resource</description>
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                <text>&lt;em&gt;Stool&lt;/em&gt;</text>
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                <text>7 x 10 1/2 dia. in.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of John and Andrea Rich</text>
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            <name>Date</name>
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                <text>19th C.</text>
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        <name>furniture</name>
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        <name>Sculpture</name>
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        <name>still life</name>
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        <name>Stool</name>
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        <name>Wood</name>
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              <name>Description</name>
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                  <text>The AD&amp;amp;A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members.  Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra.</text>
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            <name>Identifier</name>
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                <text>2015.002.002</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>b. United States, 1975</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;BELTZ&lt;/strong&gt;, Eric</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;em&gt;Preparatory drawing: The Mortal Gorgon Medusa&lt;/em&gt;</text>
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                <text>Graphite on trace</text>
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                <text>80 x 50" SHEET</text>
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                <text>Large preparatory drawing for The Mortal Gorgon Medusa; @ lower right TO SEE IS ALSO TO TOUCH with signature, date and THE CAVE OF TREASURES.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Museum purchase</text>
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        <name>Drawing</name>
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        <name>Graphite</name>
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        <name>plant</name>
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        <name>still life</name>
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        <name>Works-on-Paper</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>1985.104</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>&lt;strong&gt;BERGTOLD&lt;/strong&gt;, Susanna</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;BERGTOLD&lt;/strong&gt;, Susanna</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="91597">
                <text>&lt;em&gt;Ceremonial Goat&lt;/em&gt;</text>
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                <text>1977/78</text>
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                <text>oil on canvas</text>
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                <text>28 1/4 x 34 in.; frame: 29 x 35 x 1 5/8 in.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of Mr. and Mrs. Justin Ebersman</text>
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            <name>Date</name>
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                <text>1977/78</text>
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        <name>dark</name>
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        <name>goat</name>
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        <name>oil</name>
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        <name>Painting</name>
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        <name>still life</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>&lt;strong&gt;Paintings&lt;/strong&gt;</text>
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              <name>Description</name>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>1995.22</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>&lt;strong&gt;BERMAN&lt;/strong&gt;, Eugene</text>
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                <text>1899 - 1972</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;BERMAN&lt;/strong&gt;, Eugene</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;em&gt;Siren in a Landscape (Lorelei in Oregon)&lt;/em&gt;</text>
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                <text>1941 November</text>
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                <text>oil on canvas</text>
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                <text>45 x 32 in image; 53 x 39 7/8 x 2 5/16 in framed</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of Nicole Underwood</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1941 November</text>
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        <name>Painting</name>
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        <name>siren</name>
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        <name>still life</name>
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        <name>woman</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>In addition to the Margaret Mallory Bequest, the AD&amp;amp;A Museum includes significant holdings of art from Africa. This includes but is not limited to a Bambaran Headress with a chi wara antelope and a Egungun masquerade costume.</text>
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            <name>Title</name>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <name>Description</name>
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                <text>&lt;em&gt;Shark Mask&lt;/em&gt;</text>
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                <text>ca. 20th C.</text>
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                <text>wood, vegetable fibers, cloth</text>
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                <text>11 3/4 x 14 in.</text>
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        <name>Fiber</name>
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        <name>Wood</name>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>In addition to the Margaret Mallory Bequest, the AD&amp;amp;A Museum includes significant holdings of art from Africa. This includes but is not limited to a Bambaran Headress with a chi wara antelope and a Egungun masquerade costume.</text>
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            <name>Identifier</name>
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                <text>&lt;em&gt;Untitled (Tiger)&lt;/em&gt;</text>
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                <text>Gift of Gilbert Garcia and Martha Correa in honor of the Garcia-Correa family</text>
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                <text>&lt;em&gt;El Volador&lt;/em&gt;</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="126781">
                <text>&lt;strong&gt;CHIKUSUI&lt;/strong&gt;, Japanese</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="126782">
                <text>&lt;strong&gt;CHIKUSUI&lt;/strong&gt;, Japanese</text>
              </elementText>
              <elementText elementTextId="126783">
                <text>Japanese</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="126784">
                <text>&lt;em&gt;Storks&lt;/em&gt;, ca. 1912</text>
              </elementText>
              <elementText elementTextId="126785">
                <text>watercolor, ink</text>
              </elementText>
              <elementText elementTextId="126786">
                <text>mat: 19 1/4 x 24; image: 14 3/4 x 19 in</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="142163">
                <text>ca. 1912</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="463">
        <name>bird</name>
      </tag>
      <tag tagId="216">
        <name>Ink</name>
      </tag>
      <tag tagId="931">
        <name>Japan</name>
      </tag>
      <tag tagId="47">
        <name>Painting</name>
      </tag>
      <tag tagId="54">
        <name>still life</name>
      </tag>
      <tag tagId="961">
        <name>stork</name>
      </tag>
      <tag tagId="119">
        <name>Watercolor</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
