1 100 4 http://art-collections.museum.ucsb.edu/files/original/8212d1a88fe2c0407d8c7ce295c7f31d.jpg 5f5c4e23dc148639e080fe5b66141219 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Garner Tullis and Atelier Richard Tullis Collection Description An account of the resource In the late 1990’s and early 2000’s, the AD&A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis). Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work. Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times. This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara. Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&A Museum. Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2001.18 Creator An entity primarily responsible for making the resource WILEY, William American, b. 1937 Title A name given to the resource WILEY, William Description An account of the resource Muddy Waters 1983 Woodcut on Reeves BFK 53 3/4 x 41 1/4 (sheet) Black & Red Guitar on White paper Source A related resource from which the described resource is derived Museum Purchase with Funds provided by the Wallis Foundation Date A point or period of time associated with an event in the lifecycle of the resource 1983 abstract Eyebrows Eyes guitar heart Humanistic Moon Mouth pain Personified Stars Strings sun Teeth violin Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/2632238f1760bc80accd008c5e61f62e.jpg 42e9a6a62a00b99cefd895ad7029fb04 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2010.003.020 Creator An entity primarily responsible for making the resource Meller, Peter b. Hungary, 1928-2008 Title A name given to the resource MELLER, Peter Description An account of the resource Untitled (Xmas 1999) 12" x 7" Brown figure sitting in chair; dressed to resemble a pilgrim holding a violin. Source A related resource from which the described resource is derived Bea Farwell Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1999 Chair instrument man portrait Seated violin Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/5e1f931f8b51dbbb8af3326d002922d6.jpg 8ce454c8aa48e5a29c2866f33dd0d504 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1991.55 Creator An entity primarily responsible for making the resource EVERTON, Macduff American, 1947- Title A name given to the resource EVERTON, Macduff Description An account of the resource Smoking Violin Maker and his Wife, Chumpon rom The Modern Maya: A Culture in Transition Gelatin silver print framed: 20 x 24 in. Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques. Source A related resource from which the described resource is derived MUSEUM PURCHASE FUND Date A point or period of time associated with an event in the lifecycle of the resource 1988 Gelatin Silver Print indigenous man photograph portrait smoking violin http://art-collections.museum.ucsb.edu/files/original/dea33aae49ac439365c0ccfcf9e7f018.jpg c31ebc93fea984786a33232e2ed03bf4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.137 Title A name given to the resource NESBITT, Jackson Lee Description An account of the resource Old Man with Violin etching sheet: 19 1/2 x 14 3/4 in; mat: 20 1/2 x 15 3/4 in image: 12 3/4 x 10 3/4 in Creator An entity primarily responsible for making the resource NESBITT, Jackson Lee b. United States, 1913 - Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1955 American etching instrument man portrait violin Works-on-Paper