1 100 6 http://art-collections.museum.ucsb.edu/files/original/a9d14daa75cdc03cb7a1804d46f727bd.jpg 3b8e6b536066038f4c58b0f89ed1b35c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sigmund Morgenroth Collection of Renaissance Medals and Plaquettes Description An account of the resource Intricately carved reliefs cast in metal or carved in wood, the Morgenroth Collection of medals and plaquettes rivals major collections of similar materials in the National Gallery in Washington DC or the Metropolitan Museum of Art in New York. The medals commemorate important personages and events, an ancient custom which was revived during the Renaissance. Displayed at AD&A Museum in a Wunderkammer or “cabinet of curiosities,” the medals are viewed by visitors as Italian collectors in fifteenth and sixteenth centuries experienced them. The plaquettes, both round and rectangular in format, are just inches in size, featuring delicate bas-relief portraits and scenes of mythological and Christian subject matter. The Morgenroth collection is among the founding collections of the museum and belongs to the art historical heritage of Santa Barbara. These extraordinary medals and plaquettes, amassed by Mr. Morgenroth primarily between 1927 and 1939, received their inaugural exhibition at the Santa Barbara Museum of Art from January to March 1943. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.607 Creator An entity primarily responsible for making the resource Artist unknown German?, early 17th century? Title A name given to the resource Artist unknown Description An account of the resource Autumn and Winter early 17th century? bronze 100.5 x 90.5 mm Source A related resource from which the described resource is derived Sigmund Morgenroth Collection of Renaissance Medals and Plaquettes Date A point or period of time associated with an event in the lifecycle of the resource early 17th century? 17th century autumn Bronze Religious Sculpture winter http://art-collections.museum.ucsb.edu/files/original/c0526c8330ecfabe7efe28ec8a9c235b.jpg 9770327d1aeb985622121f7aebcea779 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.611 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Woman and Boy Standing In front of Trees and Snow Gelatin silver print 5 x 3 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. black and white Family Portrait Gelatin Silver Print photograph portrait snow Tree winter woman young boy http://art-collections.museum.ucsb.edu/files/original/d64ea59048bf1d8a358b96c0c6845059.jpg 82bb431dc590974c718bb61f05b033c8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.612 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Woman in Car - Boy Standing in Snow In front of It Gelatin silver print 3 x 5 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. black and white car Family Portrait fur hat Gelatin Silver Print portrait snow Tree winter woman young boy http://art-collections.museum.ucsb.edu/files/original/ff6586ec84a67f27dfc37472f39013cb.jpeg d937f914efcc920408d9c76fb19d8d89 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Barry Berkus Family Collection Description An account of the resource The Barry Berkus Family Collection contributes to the strength of the Museum's holdings of twentieth century works on paper. Made in 2006, the Berkus gift provided the museum with twenty-one works on paper by artists working primarily in the United States in the 1980s and 1990s, including: Robert Motherwell, William Wegman, Robert Rauschenberg, and Carrie Mae Weems. Berkus, an architect who worked in Southern California, designed the UC Santa Barbara’s Mosher Alumni Building. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2004.004.002 Title A name given to the resource LACK, Stephen Creator An entity primarily responsible for making the resource LACK, Stephen United States, b. 1946 Description An account of the resource Fear of Winter 48 x 64" Brightly painted image of a woman in bed asleep Source A related resource from which the described resource is derived Gift of the Berkus Family Date A point or period of time associated with an event in the lifecycle of the resource 1985-86 1980's 20th century Blue bright Figurative Painting winter woman Yellow http://art-collections.museum.ucsb.edu/files/original/691787fb2467828374732c48ab007174.jpg 3bf6e7cda7614a6f2a0d2c928d5b2178 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.001.006 Creator An entity primarily responsible for making the resource OPIE, Catherine United States, b. 1961 Title A name given to the resource OPIE, Catherine Description An account of the resource TWO O O ONE: Untitled Ice Houses 2001 Chromogenic print, 16/50 24 x 20" PAPER Photograph of a winter landscape; colorful ice houses lined up at center of PAPER. Signature, title, date and edition statement on reverse at lower right. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2001 Blue Skies Horizon Houses ice landscape photograph snow trees winter http://art-collections.museum.ucsb.edu/files/original/6b33abc790062432d67d0b7071c9a6fe.jpg f4ec8750abc988fb2e52434b9af746e1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Arts of Asia Description An account of the resource The AD&A Museum houses a small collection of works from Asia including Japanese textiles and a Vietnamese portfolio created using traditional Vietnamese print making techniques. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1975.102 Title A name given to the resource UCHIMA, Ansei Creator An entity primarily responsible for making the resource UCHIMA, Ansei Japanese Description An account of the resource Prelude to Winter, 1960 wood block, color 17 x 10 1/4 in. Date A point or period of time associated with an event in the lifecycle of the resource 1960 abstract Japan winter Wood Block Works-on-Paper