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                  <text>&lt;strong&gt;UCSB Alumni and Faculty&lt;/strong&gt;</text>
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                  <text>The AD&amp;amp;A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members.  Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra.</text>
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                <text>1997.32</text>
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                <text>&lt;strong&gt;BOMMER&lt;/strong&gt;, John Murphy II</text>
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                <text>&lt;strong&gt;BOMMER&lt;/strong&gt;, John Murphy II</text>
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                <text>&lt;em&gt;Give Up Now or Wait and See What's Coming&lt;/em&gt;</text>
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                <text>37in. x 30 1/2in.</text>
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                <text>UCSB alumnus John Bommer received his MFA in painting in 1983 and while in school was a teaching assistant in the Film and Media Studies Department. Gary H. Brown, who was his partner, mentor and friend, described his work in an exhibition catalog as entailing many different styleshe was always experimentingthough the one constant is the common thread of language...Etymology, signs, linguistics, film and semiology were a deep part of John's life and work. Give Up Now or Wait and See Whats Coming (1985) combines Bommers interests in film and language with his alarm at the AIDS epidemic ravaging the nation and the gay community in particular. The title, written across the composition, is a spirited message of support to everyone affected by the AIDS crisis to carry on in the hope that treatments or a cure might be found. Bommer reminds one that giving up only leads to dire circumstances as evidenced by the Collaged image of the train bearing down on the man and woman who stand seemingly helpless on the tracks rather than moving out of the way. His work was among the earliest to address AIDS in art, a consequence, no doubt, of seeing his own friends in pain. A year after this was completed, Bommer was diagnosed with an AIDS-related illness and died nine months later in Santa Barbara tended by Brown. Throughout those months, Bommer was true to the message in this work as he remained optimistic, brave and ever thankful to friends and family for the love and support they gave him.</text>
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                <text>Gift of Gary H. Brown</text>
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                <text>&lt;strong&gt;CAVAT&lt;/strong&gt;, Irma</text>
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                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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                <text>&lt;em&gt;No It Can Assess An Action&lt;/em&gt;, 1992</text>
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                <text>This work includes green plastic stencils and a pencil inscribed with FEHLAU NORTON HOLIDAY PROJECT @ 1992 as well as an instruction sheet for stenciling NO IT CAN ASSESS AN ACTION creating a palindrome on opposite walls; (a) instruction sheet; (b) pencil; (c) stencil for N; (d) stencil for o; (e) stencil for i; (f) stencil for T; (g) stencil for C; (h) stencil for S; (i) stencil for A; (j) stencil for E. The artist's work often shifts the viewer's point of reference through the doubling of images and text. Beginning in 1988, the Norton Family sent a limited edition Christmas gift to a wide list of friends in the art community including art institutions.</text>
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                <text>Donald P. Walton Jr. and Frances Jean Colpitt Estate</text>
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                <text>As an undergraduate John Nava worked closely with his mentor Howard Warshaw, a professor of painting who fostered his deep appreciation for drawing and working from the human figure. Since attending UCSB, John Nava has established a renowned reputation for his commanding portraits and technical sophistication, as evidenced in his paintings, drawings and, more recently, tapestry works. The painting and tapestry on view are from the artist’s portrait series Neo-Icons. They portray young adults sporting t-shirts with phrases made popular during the many government protests following the 2003 invasion of Iraq. He started this series in 2005 to demonstrate his revulsion for the interrogation and detention policies espoused by the George W. Bush administration. In light of ongoing discussions surrounding government-sanctioned torture and domestic spying, these startling works continue to be relevant and spark yet more contemplation and conversation about these controversial subjects.</text>
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                <text>Given in Memory of Katie Cooper and All the Fallen of May 23, 2014</text>
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                  <text>Donated in 2023, Women Beyond Borders showcases the transformative gift of the archives and artworks from the multisite, cross-cultural exhibition project, Women Beyond Borders, founded by UCSB alum, Lorraine Serena (B.A. ’63, M.F.A. ‘75) in 1991. The project started with a small wooden box (measuring 3 1/2 by 2 by 2 1/2 inches) and an enticing invitation to women around the world—to transform this small container to one's liking. More than 900 people across 50 countries accepted it. The exhibition explores how Women Beyond Borders fostered experimental spaces for doing-it-oneself and doing-it-together, highlighted artistic media often dismissed for being in the realm of women, and challenged—through feminist practice and collectivity—hurdles for artistic freedom and expression in a wide array of geopolitical contexts.</text>
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                <text>The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. The artist has retained the natural condition of the box but has inserted carved media with the word LETTNER.</text>
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                <text>CAVAT, Irma</text>
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                <text>b. United States, 1928-2020</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;CAVAT&lt;/strong&gt;, Irma</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="48635">
                <text>&lt;em&gt;Untitled (Going to see Gauguin)&lt;/em&gt;</text>
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              <elementText elementTextId="48636">
                <text>Gouache, colored pencil and collage on paper</text>
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              <elementText elementTextId="48637">
                <text>11 x 14"</text>
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              <elementText elementTextId="48638">
                <text>Vertical image of collaged pictures of Irma and another female; obscured by grey gouache brush-strokes with colored pencil</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="48640">
                <text>The Cavat Family (Irma, Karina and Nika)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="148939">
                <text>1978</text>
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        <name>abstract</name>
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        <name>collage</name>
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        <name>gouache</name>
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      <tag tagId="113">
        <name>Pencil</name>
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      <tag tagId="34">
        <name>portrait</name>
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      <tag tagId="2138">
        <name>words</name>
      </tag>
      <tag tagId="112">
        <name>Works-on-Paper</name>
      </tag>
    </tagContainer>
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  <item itemId="5662" public="1" featured="0">
    <fileContainer>
      <file fileId="3976">
        <src>http://art-collections.museum.ucsb.edu/files/original/1321279cb061dbca10486c9200dd8949.jpg</src>
        <authentication>4059194672a2888ef50ba2c8064267c6</authentication>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="38258">
                  <text>&lt;strong&gt;UCSB Alumni and Faculty&lt;/strong&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="38259">
                  <text>The AD&amp;amp;A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members.  Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra.</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>1973.3</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="48729">
                <text>DOLE, William</text>
              </elementText>
              <elementText elementTextId="48730">
                <text>American, 1917 - 1983</text>
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            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>DOLE, William</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48732">
                <text>Small Mnemonic Devices</text>
              </elementText>
              <elementText elementTextId="48733">
                <text>lithograph</text>
              </elementText>
              <elementText elementTextId="48734">
                <text>image: 12 x 18 in. sheet: 14 1/2 x 20 1/2 in. mat: 19 1/2 x 25 1/2 in.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="148928">
                <text>1971</text>
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            </elementTextContainer>
          </element>
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      <tag tagId="121">
        <name>Lithograph</name>
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        <name>paper</name>
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      <tag tagId="831">
        <name>shapes</name>
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      <tag tagId="54">
        <name>still life</name>
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      <tag tagId="2138">
        <name>words</name>
      </tag>
      <tag tagId="112">
        <name>Works-on-Paper</name>
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