oil on canvas
103 x 79 in.
The freedom in my paintings is quite controlled; I dont close my eyes and hope for the best. This statement by Joan Mitchell reminds that her exuberant compositions are just thatcomposed. While often considered a second-generation abstract expressionist, Mitchell moved to France in 1959 to distance herself from the New York scene. In 1969, she settled in Vheuil, north of Paris, to a two acre riverfront compound. There, in her larger studio, her landscape inspired canvases increased in scale and their surfaces became more weighty and dense.
United States, 1926 - 1992
Gift of Katharine W. Tremaine
MITCHELL, Joan and United States, 1926 - 1992, “MITCHELL, Joan,” UCSB ADA Museum Omeka, accessed September 29, 2022, http://art-collections.museum.ucsb.edu/items/show/10781.